somewhere i have never travelled,gladly beyond by e.e. cummings

somewhere i have never travelled,gladly beyond
any experience,your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near

your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skilfully,mysteriously)her first rose

or if your wish be to close me, i and
my life will shut very beautifully ,suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;

nothing which we are to perceive in this world equals
the power of your intense fragility:whose texture
compels me with the color of its countries,
rendering death and forever with each breathing

(i do not know what it is about you that closes
and opens;only something in me understands
the voice of your eyes is deeper than all roses)
nobody,not even the rain,has such small hands

Because I could not stop for Death

Because I could not stop for Death,
He kindly stopped for me;
The carriage held but just ourselves
And Immortality.
We slowly drove, he knew no haste,
And I had put away
My labor, and my leisure too,
For his civility.
We passed the school where children played,
Their lessons scarcely done;
We passed the fields of gazing grain,
We passed the setting sun.
We paused before a house that seemed
A swelling of the ground;
The roof was scarcely visible.
The cornice but a mound.
Since then 'tis centuries but each
Feels shorter than the day
I first surmised the horses' heads
Were toward eternity.

Emily Dickinson

petals

Petals

Life is a stream
On which we strew
Petal by petal the flower of our heart;
The end lost in dream,
They float past our view,
We only watch their glad, early start.

Freighted with hope,
Crimsoned with joy,
We scatter the leaves of our opening rose;
Their widening scope,
Their distant employ,
We never shall know. And the stream as it flows
Sweeps them away,
Each one is gone
Ever beyond into infinite ways.
We alone stay
While years hurry on,
The flower fared forth, though its fragrance still stays.

Amy Lowell

Choice

Choice

I'd rather have the thought of you
To hold against my heart,
My spirit to be taught of you
With west winds blowing,
Than all the warm caresses
Of another love's bestowing,
Or all the glories of the world
In which you had no part.

I'd rather have the theme of you
To thread my nights and days,
I'd rather have the dream of you
With faint stars glowing,
I'd rather have the want of you,
The rich, elusive taunt of you
Forever and forever and forever unconfessed
Than claim the alien comfort
Of any other's breast.

O lover! O my lover,
That this should come to me!
I'd rather have the hope of you,
Ah, Love, I'd rather grope for you
Within the great abyss
Than claim another's kiss-
Alone I'd rather go my way
Throughout eternity.

Angela Morgan

Bond and Free by Robert Frost

Love has earth to which she clings
With hills and circling arms about—
Wall within wall to shut fear out.
But Thought has need of no such things,
For Thought has a pair of dauntless wings.

On snow and sand and turf, I see
Where Love has left a printed trace
With straining in the world’s embrace.
And such is Love and glad to be.
But Thought has shaken his ankles free.

Thought cleaves the interstellar gloom
And sits in Sirius’ disc all night,
Till day makes him retrace his flight,
With smell of burning on every plume,
Back past the sun to an earthly room.

His gains in heaven are what they are.
Yet some say Love by being thrall
And simply staying possesses all
In several beauty that Thought fares far
To find fused in another star.

A WOMAN'S QUESTION

A WOMAN'S QUESTION

Do you know you have asked for the costliest thing
Ever made by the hand above?
A woman's heart, and a woman's life--
And a woman's wonderful love.

Do you know you have asked for this priceless thing
As a child might ask for a toy?
Demanding what others have died to win
With the reckless dash of a boy.

You have written my lesson of duty out,
Manlike, you have questioned me.
Now stand at the bars of my woman's soul
Until I shall question thee.

You require your mutton shall always be hot,
Your socks and your shirt be whole;
I require your heart be as true as God's stars
And as pure as His heaven your soul.

You require a cook for your mutton and beef,
I require a far greater thing;
A seamstress you're wanting for socks and shirts---
I look for a man and a king.

A king for the beautiful realm called Home,
And a man that his Maker, God,
Shall look upon as he did on the first
And say: "It is very good."

I am fair and young, but the rose may fade
From this soft young cheeck one day;
Will you love me then, 'mid the falling leaves
As you did 'mong the blossoms of May?

Is your heart an ocean so strong and true,
I may launch my all on its tide?
A loving woman finds heaven or hell
On the day she is made a bride.

I require all things that are grand and true,
All things that a man should be;
If you give this all, I would stake my life
To be all you demand of me.

If you cannot be this, a laundress and cook
You can hire and little to pay;
But a woman's heart and a woman's life
Are not to be won that way.

Let Me Not To The Marriage of True Minds (William Shakespeare)

Let me not to the marriage of true minds

Admit impediments. Love is not love
Which alters when it alteration finds,
Or bends with the remover to remove:
O no! it is an ever-fixed mark
That looks on tempests and is never shaken;
It is the star to every wandering bark,
Whose worth's unknown, although his height be taken.
Love's not Time's fool, though rosy lips and cheeks
Within his bending sickle's compass come:
Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom.
If this be error and upon me proved,
I never writ, nor no man ever loved.

because i love you)last night by E. E. Cummings

because i love you)last night




clothed in sealace

appeared to me

your mind drifting

with chuckling rubbish

of pearl weed coral and stones;



lifted,and(before my

eyes sinking)inward,fled;softly

your face smile breasts gargled

by death:drowned only



again carefully through deepness to rise

these your wrists

thighs feet hands



poising

to again utterly disappear;

rushing gently swiftly creeping

through my dreams last

night,all of your

body with its spirit floated

(clothed only in



the tide's acute weaving murmur

*I like this poem because of its sexy language, and Cummings' playfulness with the form and parenthesis.
Orry

Digging (Seamus Heaney)

Between my finger and my thumb
The squat pen rests; as snug as a gun.

Under my window a clean rasping sound
When the spade sinks into gravelly ground:
My father, digging. I look down

Till his straining rump among the flowerbeds
Bends low, comes up twenty years away
Stooping in rhythm through potato drills
Where he was digging.

The coarse boot nestled on the lug, the shaft
Against the inside knee was levered firmly.
He rooted out tall tops, buried the bright edge deep
To scatter new potatoes that we picked
Loving their cool hardness in our hands.

By God, the old man could handle a spade,
Just like his old man.

My grandfather could cut more turf in a day
Than any other man on Toner's bog.
Once I carried him milk in a bottle
Corked sloppily with paper. He straightened up
To drink it, then fell to right away
Nicking and slicing neatly, heaving sods
Over his shoulder, digging down and down
For the good turf. Digging.

The cold smell of potato mold, the squelch and slap
Of soggy peat, the curt cuts of an edge
Through living roots awaken in my head.
But I've no spade to follow men like them.

Between my finger and my thumb
The squat pen rests.
I'll dig with it.

Love Storm (D.H. Lawrence)

Many roses in the wind
Are tapping at the window-sash.
A hawk is in the sky; his wings
Slowly begin to plash.

The roses with the west wind rapping
Are torn away, and a splash
Of red goes down the billowing air.

Still hangs the hawk, with the whole sky moving
Past him--only a wing-beat proving
The will that holds him there.

The daisies in the grass are bending,
The hawk has dropped, the wind is spending
All the roses, and unending
Rustle of leaves washes out the rending
Cry of a bird.

A red rose goes on the wind.--Ascending
The hawk his wind-swept way is wending
Easily down the sky. The daisies, sending
Strange white signals, seem intending
To show the place whence the scream was heard.

But, oh, my heart, what birds are piping!
A silver wind is hastily wiping
The face of the youngest rose.

And oh, my heart, cease apprehending!
The hawk is gone, a rose is tapping
The window-sash as the west-wind blows.

Knock, knock, 'tis no more than a red rose rapping,
And fear is a plash of wings.
What, then, if a scarlet rose goes flapping
Down the bright-grey ruin of things!

After Great Pain by Emily Dickinson

After great pain a formal feeling comes--
The nerves sit ceremonious like tombs;
The stiff Heart questions--was it He that bore?
And yesterday--or centuries before?
The feet, mechanical, go round
A wooden way
Of ground, or air, or ought,
Regardless grown,
A quartz contentment, like a stone.
This is the hour of lead
Remembered if outlived,
As freezing persons recollect the snow--
First chill, then stupor, then the letting go.

The Howrah Station- Boey Kim Cheng

To purchase a ticket out
I pick my way through the carnage,
sidestepping souls felled at one wild stroke,
reducedto withered stalks scattered
between puddles of excrement. The leveller
is working overtime here, tireless,
laing out a field of maimed mortals,
half0killed, untended, unfinished,
his indiscriminate scythe
littering with travails
the pilgrim's path.

Like an adroit footballer, I dribble
my laundered self past
the tackles, eluding the lunging pleas
for mercy, warding eyes
which draw the heart into their dark pits.
This is not a waiting hall; there is no destination
for these unfit for travel.
It is a terminal ward. Enoiugh revelation
to stop all seekers carrying urgent requests
for truth in beauty and beauty in truth
in their tracks. What are we doing here?>
Is this the right address? The capital
of God? Art's proper haunt?

If poetry could drum up courage,
correct the economists, reform the politicans,
and bake a million loavesm my presence
needs no apology.
But who eats poetry?

This morning I made a detour
to the museum. A man was on
the pockmarked pavement outside.
If you can call him a man,
you may as well consider him
an artist. Legs disappeared into the earth,
ande short clubs for arms, fingers
no longer than the broken pastels they held.
Oblivious to the scorching sun, wrapped
in clouds of fumes and noise, he laid out
our Lord Jesus with a scared heart, smiling,
peaceful on the uneven ground
Consummate attention. Necessity
fusing prayer and art in perferct calm.
What I lacked glowed in him.
He rubbed off the edges, precise,
exacting, insistent on clarity of vision,
and went on to produce a youthful Mary
from a soiled pciture given perhaps
by the sisters at the mission, to carry him
through and earn his daily bread with.

I tossed an offering. The rupee rolled
onto the bleeding heart, its dull gleam
settling almost soundlessly home,
waking echoes
in an unplugged conscience.

HOLY SONNETS X- John Donne

Death, be not proud, though some have called thee
Mighty and dreadful, for thou art not so ;
For those, whom thou think'st thou dost overthrow,
Die not, poor Death, nor yet canst thou kill me.
From rest and sleep, which but thy picture[s] be,
Much pleasure, then from thee much more must flow,
And soonest our best men with thee do go,
Rest of their bones, and soul's delivery.
Thou'rt slave to Fate, chance, kings, and desperate men,
And dost with poison, war, and sickness dwell,
And poppy, or charms can make us sleep as well,
And better than thy stroke ; why swell'st thou then ?
One short sleep past, we wake eternally,
And Death shall be no more ; Death, thou shalt die.

SONNET 116-William Shakespeare

Let me not to the marriage of true minds
Admit impediments. Love is not love
Which alters when it alteration finds,
Or bends with the remover to remove:
O no! it is an ever-fixed mark
That looks on tempests and is never shaken;
It is the star to every wandering bark,
Whose worth's unknown, although his height be taken.
Love's not Time's fool, though rosy lips and cheeks
Within his bending sickle's compass come:
Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom.
If this be error and upon me proved,
I never writ, nor no man ever loved.

God's Grandeur

The world is charged with the grandeur of God.
It will flame out, like shining from shook foil;
It gathers to a greatness, like the ooze of oil
Crushed. Why do men then now not reck his rod?
Generations have trod, have trod, have trod;
And all is seared with trade; Bleared, smeared with toil;
And wears man's smudge and shares man's smell: the soil
Is bare now, nor can foot feel, being shod.
And for all this, nature is never spent;
There lives the dearest freshness deep down things;
And though the last lights off the black West went
Oh, morning, at the brown brink eastward, springs —
Because the Holy Ghost over the bent
World broods with warm breast and with ah! bright wings.

The Road Not Taken

Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;

Then took the other, as just as fair,
And having perhaps the better claim
Because it was grassy and wanted wear,
Though as for that the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black.
Oh, I marked the first for another day!
Yet knowing how way leads on to way
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I,
I took the one less traveled by,
And that has made all the difference.

Posted By,
Lynn

Living is us are countless beings

Living is us are countless beings.
When I think or feel, I don’t know
Who it is that thinks or feels.
I am merely the place
Where things are thought or felt.

I have more than just one soul.
There are more I’s than I myself
I exist, nevertheless,
Indifferent to them all.
I silence them: I speak.

The crossed impulses of what
I feel or do not feel
Argue about who I am, but I
Ignore them. They dictate nothing
To the ‘I’ I know: I write.

*Fernando Pessoa under the pseudonym Ricardo Reis.

To a Passer-By

The street about me roared with a deafening sound.
Tall, slender, in heavy mourning, majestic grief,
A woman passed, with a glittering hand
Raising, swinging the hem and flounces of her skirt;

Agile and graceful, her leg was like a statue’s.
Tense as in a delirium, I drank
From her eyes, pale sky where tempests germinate,
The sweetness that enthralls and the pleasure that kills.

A lightning flash…then night! Fleeting beauty
By whose glance I was suddenly reborn,
Will I see you no more before eternity?

Elsewhere, far, far from here! too late! never perhaps!
For I know not where you fled, you know not where I go,
O you whom I would have loved, O you who knew it!

The Road Not Taken

The Road Not Taken
by Robert Frost

Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I-
I took the one less traveled by,
And that has made all the difference.

The Charge of the Light Brigade

The Charge of the Light Brigade
by Lord Alfred Tennyson

Half a league, half a league,
Half a league onward,
All in the valley of Death
Rode the six hundred.
"Forward, the Light Brigade!
Charge for the guns!" he said:
Into the valley of Death
Rode the six hundred.

"Forward, the Light Brigade!"
Was there a man dismayed?
Not though the soldier knew
Some one had blundered:
Their's not to make reply,
Their's not to reason why,
Their's but to do and die:
Into the valley of Death
Rode the six hundred.

Cannon to right of them,
Cannon to left of them,
Cannon in front of them
Volleyed and thundered;
Stormed at with shot and shell,
Boldly they rode and well,
Into the jaws of Death,
Into the mouth of Hell
Rode the six hundred.

Flashed all their sabres bare,
Flashed as they turned in air
Sabring the gunners there,
Charging an army, while
All the world wondered:
Plunged in the battery-smoke
Right through the line they broke;
Cossack and Russian
Reeled from the sabre-stroke
Shattered and sundered.
Then they rode back, but not,
Not the six hundred.

Cannon to right of them,
Cannon to left of them,
Cannon behind them
Volleyed and thundered;
Stormed at with shot and shell,
While horse and hero fell,
They that had fought so well
Came through the jaws of Death
Back from the mouth of Hell,
All that was left of them,
Left of six hundred.

When can their glory fade?
O the wild charge they made!
All the world wondered.
Honour the charge they made!
Honour the Light Brigade,
Noble six hundred!