"Secret" - Missy Higgins

You were from the North, I was from the South
We were form opposite places, different towns
But I knew it was good and you knew it was too
So we moved together like a ball and chain
Minds becoming two halves of the same
It was real, but in shadows it grew

Cos you've got a secret don't ya babe?

I would've shouted loud and broken through
I would've given it all to belong to you
But there were different plans, different rules
You said "where I'm from there is a lock and key
If you'd be so kind as to follow me
I will show you the way to the rest of my sins"

Cos you've got a secret don't ya babe?
Yeah you, you got a secret don't ya babe?
And I should know
Yeah I should know

So this room was damp where your sins laid
There was that smell in the air of an old place
That hadn't seen much daylight in years
And you threw me down, said, "If ya don't mind
I'm gonna leave you here until night time
Then we can do what we want my baby out of the spotlight."

Cos you've got a secret don't ya babe?
Yeah you, you got a secret don't ya babe?
And I should know
Yeah I should know
For I'm your secret aren't I babe?
Yeah I'm your secret aren't I babe?
Aren't I babe? 

Link to video: http://www.youtube.com/watch?v=Plv_eQXlGWM

I've brought to art

I sit in a mood of reverie.
I brought to Art desires and sensations:
things half-glimpsed,
faces or lines, certain indistinct memories
of unfulfilled love affairs. Let me submit to Art:
Art knows how to shape forms of Beauty,
almost imperceptibly completing life,
blending impressions, blending day with day.

As kingfishers catch fire, dragonflies draw flame

As kingfishers catch fire, dragonflies draw flame;
As tumbled over rim and roundy wells
Stones ring; like each tucked string tells, each hung bell's
Bow swung finds tongue to fling out broad its name;
Each mortal thing does one thing and the same:
Deals out that being indoors each one dwells;
Selves- goes itself; myself it speaks and spells,
Crying What I do is me: for that I came.
I say more: the just man justices;
Keeps gráce: thát keeps all his goings graces;
Acts in God's eye what in God's eye he is--
Chríst. For Christ plays in ten thousand places,
Lovely in limbs, and lovely in eyes not his
To the Father through the features of men's faces.

God's Grandeur

The world is charged with the grandeur of God.
It will flame out, like shining from shook foil;
It gathers to a greatness, like the ooze of oil
Crushed. Why do men then now not reck his rod?
Generations have trod, have trod, have trod;
And all is seared with trade; Bleared, smeared with toil;
And wears man's smudge and shares man's smell: the soil
Is bare now, nor can foot feel, being shod.
And for all this, nature is never spent;
There lives the dearest freshness deep down things;
And though the last lights off the black West went
Oh, morning, at the brown brink eastward, springs —
Because the Holy Ghost over the bent
World broods with warm breast and with ah! bright wings.

Void Deck

Where the neighbourhood wives,
After a morning at the wet market,
Sit facing the breeze
To trade snatches of gossip
About leery shopkeepers,
The local louts,
(Like that fella who's always drilling his walls –
Gives me migraine)
And that mad woman
Who throws things from her window.
With careful put-downs they
Fashion boasts, about stubborn sons,
Lazy daughters, who by some miracle or mistake
Always score well in class.
When words falter,
Gestures take over: pursed lips, rolling eyes,
Animated hands adorned by bangles of
Gold, jade, steel, string.

And children orbit around them
Laugh without diction –
Their games of tag a reassurance
That there has been no hothousing
Of who is unclean, unwashed,
Untouchable. When they break out
Into some kindergarten song,
One almost believes in a generation
Cleansed of skin-deep suspicions,
And free from the superstitions of the tongue –

And old folks sit like sages
To deploy chess pieces with ancient strategies.
In a corner, a caged bird bursts
With the song of its master's pride
And wrinkled women breathe, through
Tai-chi-tuned windpipes, the operatic melody of the air...

All a wanton fantasy.

Eyes reveal a meeting-point
For loners and loiterers:
A sense of things reduced-
Conversations that trickle through
Brief noddings at lift landings,
Teenage rhetoric scrawled, in liquid paper,
On the stone-table chessboard,
(Where the king used to sit)
The grandiose house-selling dreams of residents
Compacted in anonymous letterboxes;
As an afterthought, an old man pees
Under a public phone.

A place to be avoided, this,
How in its vastness it devours hours.
Little wonder then,
Why residents rush through void decks
Back to the cramped comforts of home
As if in fear of what such open space might do
To cosy minds.

All that is gold does not glitter

All that is gold does not glitter,
Not all those who wander are lost;
The old that is strong does not wither,
Deep roots are not reached by the frost.
From the ashes a fire shall be woken,
A light from the shadows shall spring;
Renewed shall be blade that was broken,
The crownless again shall be king.

Alone

From childhood's hour I have not been
As others were; I have not seen
As others saw; I could not bring
My passions from a common spring.
From the same source I have not taken
My sorrow; I could not awaken
My heart to joy at the same tone;
And all I loved, I loved alone.
Then- in my childhood, in the dawn
Of a most stormy life- was drawn
From every depth of good and ill
The mystery which binds me still:
From the torrent, or the fountain,
From the red cliff of the mountain,
From the sun that round me rolled
In its autumn tint of gold,
From the lightning in the sky
As it passed me flying by,
From the thunder and the storm,
And the cloud that took the form
(When the rest of Heaven was blue)
Of a demon in my view.

The Road Not Taken

Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;

Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I--
I took the one less traveled by,
And that has made all the difference.

Holy Sonnet XIV

Batter my heart, three personed God; for you
As yet but knock, breathe, shine, and seek to mend;
That I may rise and stand, o'erthrow me and bend
Your force to break, blow, burn and make me new.
I, like an usurped town, to another due,
Labour to admit you, but Oh, to no end;
Reason, your viceroy in me, me should defend,
But is captivated and proves weak or untrue.
Yet dearly I love you and would be loved fain,
But am betrothed unto your enemy:
Divorce me, untie or break that knot again,
Take me to you, imprison me, for I
Except you enthrall me, never shall be free,
Nor ever chaste, except you ravish me.

Do not go gentle into that good night

Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.

Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.

And you, my father, there on that sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.

And death shall have no dominion

And death shall have no dominion.
Dead men naked they shall be one
With the man in the wind and the west moon;
When their bones are picked clean and the clean bones gone,
They shall have stars at elbow and foot;
Though they go mad they shall be sane,
Though they sink through the sea they shall rise again;
Though lovers be lost love shall not;
And death shall have no dominion.

And death shall have no dominion.
Under the windings of the sea
They lying long shall not die windily;
Twisting on racks when sinews give way,
Strapped to a wheel, yet they shall not break;
Faith in their hands shall snap in two,
And the unicorn evils run them through;
Split all ends up they shan't crack;
And death shall have no dominion.

And death shall have no dominion.
No more may gulls cry at their ears
Or waves break loud on the seashores;
Where blew a flower may a flower no more
Lift its head to the blows of the rain;
Though they be mad and dead as nails,
Heads of the characters hammer through daisies;
Break in the sun till the sun breaks down,
And death shall have no dominion.

Singapore Literature

For those interested in reading what's been said about our local lit:

http://www.ethosbooks.com.sg/store/writing_resources/articles/article_spore.html


For those from NUS, there's an article by Prof. Patke as well! I realise that there's just a handful of resources on this site, but it's a start!


Cheers,
Nadia