Showing posts with label Mavis Tan. Show all posts
Showing posts with label Mavis Tan. Show all posts
Thursday, October 8, 2009
Mummy's Boy
Male, thirty-two, pale, immobile, naked, soaked in a tub. Mummy keeps me close to her, away from young ladies who loved me. After that day, today, everyday, Mummy smiles at me, sings for me, speaks to me. That day, my Mummy killed me. Male, thirty-two, suffocated, dead, preserved, still loved.
Sunday, September 13, 2009
12am - dressing up naked - Joel Tee
layer by layer,
I peel off this
crumbling armour.
Dirty work. Mea culpa,
exposing the sin of
desire. My hands
bleed red. Show of face.
Throw away this Judas to the Jesus
in his head. Under this lonely state
we’ll all fade. So layer
by layer I strip this soul
naked, where is that Scapel,
where are the bandages?
and a surgeon gotta have his
gloves. My stars shine ahead
like lost sages, So layer
by layer I reopen resilient
wounds that just
wouldn’t heal. Layer by
layer I dress up by unclothing
the deceiving.
(It’s a mess of red
and white on the floor.
That is my body.)
My soul runs free.
(Information should be accurate at the time of poem submission.)
Joel Tee is currently a secondary four student studying in Singapore. His hobbies include reading, writing and playing the guitar among other things he likes history, literature, and music. He writes poetry for leisure in his spare time. (http://www.poetrybillboard.com/authorview.asp?aid=27)
I peel off this
crumbling armour.
Dirty work. Mea culpa,
exposing the sin of
desire. My hands
bleed red. Show of face.
Throw away this Judas to the Jesus
in his head. Under this lonely state
we’ll all fade. So layer
by layer I strip this soul
naked, where is that Scapel,
where are the bandages?
and a surgeon gotta have his
gloves. My stars shine ahead
like lost sages, So layer
by layer I reopen resilient
wounds that just
wouldn’t heal. Layer by
layer I dress up by unclothing
the deceiving.
(It’s a mess of red
and white on the floor.
That is my body.)
My soul runs free.
(Information should be accurate at the time of poem submission.)
Joel Tee is currently a secondary four student studying in Singapore. His hobbies include reading, writing and playing the guitar among other things he likes history, literature, and music. He writes poetry for leisure in his spare time. (http://www.poetrybillboard.com/authorview.asp?aid=27)
Ghost House - Robert Frost
I dwell in a lonely house I know
That vanished many a summer ago,
And left no trace but the cellar walls,
And a cellar in which the daylight falls,
And the purple-stemmed wild raspberries grow.
O'er ruined fences the grape-vines shield
The woods come back to the mowing field;
The orchard tree has grown one copse
Of new wood and old where the woodpecker chops;
The footpath down to the well is healed.
I dwell with a strangely aching heart
In that vanished abode there far apart
On that disused and forgotten road
That has no dust-bath now for the toad.
Night comes; the black bats tumble and dart;
The whippoorwill is coming to shout
And hush and cluck and flutter about:
I hear him begin far enough away
Full many a time to say his say
Before he arrives to say it out.
It is under the small, dim, summer star.
I know not who these mute folk are
Who share the unlit place with me--
Those stones out under the low-limbed tree
Doubtless bear names that the mosses mar.
They are tireless folk, but slow and sad,
Though two, close-keeping, are lass and lad,--
With none among them that ever sings,
And yet, in view of how many things,
As sweet companions as might be had.
That vanished many a summer ago,
And left no trace but the cellar walls,
And a cellar in which the daylight falls,
And the purple-stemmed wild raspberries grow.
O'er ruined fences the grape-vines shield
The woods come back to the mowing field;
The orchard tree has grown one copse
Of new wood and old where the woodpecker chops;
The footpath down to the well is healed.
I dwell with a strangely aching heart
In that vanished abode there far apart
On that disused and forgotten road
That has no dust-bath now for the toad.
Night comes; the black bats tumble and dart;
The whippoorwill is coming to shout
And hush and cluck and flutter about:
I hear him begin far enough away
Full many a time to say his say
Before he arrives to say it out.
It is under the small, dim, summer star.
I know not who these mute folk are
Who share the unlit place with me--
Those stones out under the low-limbed tree
Doubtless bear names that the mosses mar.
They are tireless folk, but slow and sad,
Though two, close-keeping, are lass and lad,--
With none among them that ever sings,
And yet, in view of how many things,
As sweet companions as might be had.
Labels:
Death,
Ghost House,
Ghosts,
junior college,
Mavis Tan,
Nature,
Robert Frost,
Upper Secondary
My Little One - Tennessee Willliams
My little one whose tongue is dumb,
whose fingers cannot hold to things,
who is so mercilessly young,
he leaps upon the instant things,
I hold him not. Indeed, who could?
He runs into the burning wood.
Follow, follow if you can!
He will come out grown to a man
and not remember whom he kissed,
who caught him by the slender wrist
and bound him by a tender yoke
which, understanding not, he broke.
whose fingers cannot hold to things,
who is so mercilessly young,
he leaps upon the instant things,
I hold him not. Indeed, who could?
He runs into the burning wood.
Follow, follow if you can!
He will come out grown to a man
and not remember whom he kissed,
who caught him by the slender wrist
and bound him by a tender yoke
which, understanding not, he broke.
Piano - D.H. Lawrence
Softly, in the dusk, a woman is singing to me;
Taking me back down the vista of years, till I see
A child sitting under the piano, in the boom of the tingling strings
And pressing the small, poised feet of a mother who smiles as she sings.
In spite of myself, the insidious mastery of song
Betrays me back, till the heart of me weeps to belong
To the old Sunday evenings at home, with winter outside
And hymns in the cozy parlor, the tinkling piano our guide.
So now it is vain for the singer to burst into clamor
With the great black piano appassionato. The glamor
Of childish days is upon me, my manhood is cast
Down in the flood of remembrance, I weep like a child for the past.
Taking me back down the vista of years, till I see
A child sitting under the piano, in the boom of the tingling strings
And pressing the small, poised feet of a mother who smiles as she sings.
In spite of myself, the insidious mastery of song
Betrays me back, till the heart of me weeps to belong
To the old Sunday evenings at home, with winter outside
And hymns in the cozy parlor, the tinkling piano our guide.
So now it is vain for the singer to burst into clamor
With the great black piano appassionato. The glamor
Of childish days is upon me, my manhood is cast
Down in the flood of remembrance, I weep like a child for the past.
Labels:
childhood,
D.H. Lawrence,
junior college,
Manhood,
Mavis Tan,
Piano,
Remembrance,
Upper Secondary
The Crystal Gazer - Sara Teasdale
I shall gather myself into my self again,
I shall take my scattered selves and make them one.
I shall fuse them into a polished crystal ball
Where I can see the moon and the flashing sun.
I shall sit like a sibyl, hour after hour intent.
Watching the future come and the present go -
And the little shifting pictures of people rushing
In tiny self-importance to and fro.
I shall take my scattered selves and make them one.
I shall fuse them into a polished crystal ball
Where I can see the moon and the flashing sun.
I shall sit like a sibyl, hour after hour intent.
Watching the future come and the present go -
And the little shifting pictures of people rushing
In tiny self-importance to and fro.
Hiroshima Child - Nazim Hikmet
I come and stand at every door
But none can hear my silent tread
I knock and yet remain unseen
For I am dead for I am dead
I'm only seven though I died
In Hiroshima long ago
I'm seven now as I was then
When children die they do not grow
My hair was scorched by swirling flame
My eyes grew dim my eyes grew blind
Death came and turned my bones to dust
And that was scattered by the wind
I need no fruit I need no rice
I need no sweets nor even bread
I ask for nothing for myself
For I am dead for I am dead
All that I need is that for peace
You fight today you fight today
So that the children of this world
Can live and grow and laugh and play
But none can hear my silent tread
I knock and yet remain unseen
For I am dead for I am dead
I'm only seven though I died
In Hiroshima long ago
I'm seven now as I was then
When children die they do not grow
My hair was scorched by swirling flame
My eyes grew dim my eyes grew blind
Death came and turned my bones to dust
And that was scattered by the wind
I need no fruit I need no rice
I need no sweets nor even bread
I ask for nothing for myself
For I am dead for I am dead
All that I need is that for peace
You fight today you fight today
So that the children of this world
Can live and grow and laugh and play
Labels:
Death,
Hiroshima Child,
Lower Secondary,
Mavis Tan,
Nazim Hikmet,
Peace,
Reflection,
Upper Secondary,
War
The Best Thing In The World - Elizabeth Barrett Browning
What's the best thing in the world?
June-rose, by May-dew impearled;
Sweet south-wind, that means no rain;
Truth, not cruel to a friend;
Pleasure, not in haste to end;
Beauty, not self-decked and curled
Till its pride is over-plain;
Light, that never makes you wink;
Memory, that gives no pain;
Love, when, so, you're loved again.
What's the best thing in the world?
—Something out of it, I think.
June-rose, by May-dew impearled;
Sweet south-wind, that means no rain;
Truth, not cruel to a friend;
Pleasure, not in haste to end;
Beauty, not self-decked and curled
Till its pride is over-plain;
Light, that never makes you wink;
Memory, that gives no pain;
Love, when, so, you're loved again.
What's the best thing in the world?
—Something out of it, I think.
Still I Rise - Maya Angelou
You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I'll rise.
Does my sassiness upset you?
Why are you beset with gloom?
'Cause I walk like I've got oil wells
Pumping in my living room.
Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I'll rise.
Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops.
Weakened by my soulful cries.
Does my haughtiness offend you?
Don't you take it awful hard
'Cause I laugh like I've got gold mines
Diggin' in my own back yard.
You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I'll rise.
Does my sexiness upset you?
Does it come as a surprise
That I dance like I've got diamonds
At the meeting of my thighs?
Out of the huts of history's shame
I rise
Up from a past that's rooted in pain
I rise
I'm a black ocean, leaping and wide,
Welling and swelling I bear in the tide.
Leaving behind nights of terror and fear
I rise
Into a daybreak that's wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I'll rise.
Does my sassiness upset you?
Why are you beset with gloom?
'Cause I walk like I've got oil wells
Pumping in my living room.
Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I'll rise.
Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops.
Weakened by my soulful cries.
Does my haughtiness offend you?
Don't you take it awful hard
'Cause I laugh like I've got gold mines
Diggin' in my own back yard.
You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I'll rise.
Does my sexiness upset you?
Does it come as a surprise
That I dance like I've got diamonds
At the meeting of my thighs?
Out of the huts of history's shame
I rise
Up from a past that's rooted in pain
I rise
I'm a black ocean, leaping and wide,
Welling and swelling I bear in the tide.
Leaving behind nights of terror and fear
I rise
Into a daybreak that's wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.
Labels:
Courage,
Discrimnation,
Feminism,
Mavis Tan,
Maya Angelou,
Race,
Still I Rise
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