The Rose  (Some say love) 


Some say love, it is a river
that drowns the tender reed.
Some say love, it is a razor
that leaves your soul to bleed.
Some say love, it is a hunger,
an endless aching need.
I say love, it is a flower,
and you its only seed.

It's the heart afraid of breaking
that never learns to dance.
It's the dream afraid of waking
that never takes the chance.
It's the one who won't be taken,
who cannot seem to give,
and the soul afraid of dyin'
that never learns to live.

When the night has been too lonely
and the road has been to long,
and you think that love is only
for the lucky and the strong,
just remember in the winter
far beneath the bitter snows
lies the seed that with the sun's love
in the spring becomes the rose.

Jason Mraz - Man Gave Names To All The Animals

Man gave names to all the animals
In the beginning, in the beginning
Man gave names to all the animals
In the beginning, long time ago

He saw an animal that liked to growl
Big furry paws and he liked to howl
Great big furry back and furry hair
Ah, think I'll call it a bear

Man gave names to all the animals
In the beginning, in the beginning
Man gave names to all the animals
In the beginning, long time ago

He saw an animal up on a hill
Chewing up so much grass until she was filled
He saw milk coming out but he didn't know how
Ah, think I'll call it a cow

Man gave names to all the animals
In the beginning, in the beginning
Man gave names to all the animals
In the beginning, long time ago

He saw an animal that liked to snort
Horns on his head and they weren't too short
It looked like there wasn't nothing that he couldn't pull
Ah, think I'll call it a bull

Man gave names to all the animals
In the beginning, in the beginning
Man gave names to all the animals
In the beginning, long time ago

He saw an animal leaving a muddy trail
Real dirty face and a curly tail
He wasn't too small and he wasn't too big
Ah, think I'll call it a pig

Man gave names to all the animals
In the beginning, in the beginning
Man gave names to all the animals
In the beginning, long time ago

Next animal that he did meet
Had wool on his back and hooves on his feet
Eating grass on a mountainside so steep
Ah, think I'll call it a sheep
Man gave names to all the animals
In the beginning, in the beginning
Man gave names to all the animals
In the beginning, long time ago

He saw an animal as smooth as glass
Slithering his way through the grass
Saw him disappear by a tree near a lake

(ttp://www.youtube.com/watch?v=TGjAjZ2TZKU. think a teacher uploaded it for some english lesson...)

The Highwayman by Alfred Noyes


The wind was a torrent of darkness upon the gusty trees,
The moon was a ghostly galleon tossed upon cloudy seas,
The road was a ribbon of moonlight looping the purple moor,
And the highwayman came riding--
Riding--riding--
The highwayman came riding, up to the old inn door.

He'd a French cocked hat on his forehead, and a bunch of lace at his chin;
He'd a coat of the claret velvet, and breeches of fine doe-skin.
They fitted with never a wrinkle; his boots were up to his thigh!
And he rode with a jeweled twinkle--
His rapier hilt a-twinkle--
His pistol butts a-twinkle, under the jeweled sky.

Over the cobbles he clattered and clashed in the dark inn-yard,
He tapped with his whip on the shutters, but all was locked and barred,
He whistled a tune to the window, and who should be waiting there
But the landlord's black-eyed daughter--
Bess, the landlord's daughter--
Plaiting a dark red love-knot into her long black hair.

Dark in the dark old inn-yard a stable-wicket creaked
Where Tim, the ostler listened--his face was white and peaked--
His eyes were hollows of madness, his hair like mouldy hay,
But he loved the landlord's daughter--
The landlord's black-eyed daughter;
Dumb as a dog he listened, and he heard the robber say:

"One kiss, my bonny sweetheart; I'm after a prize tonight,
But I shall be back with the yellow gold before the morning light.
Yet if they press me sharply, and harry me through the day,
Then look for me by moonlight,
Watch for me by moonlight,
I'll come to thee by moonlight, though hell should bar the way."

He stood upright in the stirrups; he scarce could reach her hand,
But she loosened her hair in the casement! His face burnt like a brand
As the sweet black waves of perfume came tumbling o'er his breast,
Then he kissed its waves in the moonlight
(O sweet black waves in the moonlight!),
And he tugged at his reins in the moonlight, and galloped away to the west.

He did not come in the dawning; he did not come at noon.
And out of the tawny sunset, before the rise of the moon,
When the road was a gypsy's ribbon over the purple moor,
The redcoat troops came marching--
Marching--marching--
King George's men came marching, up to the old inn-door.

They said no word to the landlord; they drank his ale instead,
But they gagged his daughter and bound her to the foot of her narrow bed.
Two of them knelt at her casement, with muskets by their side;
There was Death at every window,
And Hell at one dark window,
For Bess could see, through her casement, the road that he would ride.

They had bound her up at attention, with many a sniggering jest!
They had tied a rifle beside her, with the barrel beneath her breast!
"Now keep good watch!" and they kissed her. She heard the dead man say,
"Look for me by moonlight,
Watch for me by moonlight,
I'll come to thee by moonlight, though Hell should bar the way."

She twisted her hands behind her, but all the knots held good!
She writhed her hands till her fingers were wet with sweat or blood!
They stretched and strained in the darkness, and the hours crawled by like years,
Till, on the stroke of midnight,
Cold on the stroke of midnight,
The tip of one finger touched it! The trigger at least was hers!

The tip of one finger touched it, she strove no more for the rest;
Up, she stood up at attention, with the barrel beneath her breast.
She would not risk their hearing, she would not strive again,
For the road lay bare in the moonlight,
Blank and bare in the moonlight,
And the blood in her veins, in the moonlight, throbbed to her love's refrain.

Tlot tlot, tlot tlot! Had they heard it? The horse-hooves, ringing clear;
Tlot tlot, tlot tlot, in the distance! Were they deaf that they did not hear?
Down the ribbon of moonlight, over the brow of the hill,
The highwayman came riding--
Riding--riding--
The redcoats looked to their priming! She stood up straight and still.

Tlot tlot, in the frosty silence! Tlot tlot, in the echoing night!
Nearer he came and nearer! Her face was like a light!
Her eyes grew wide for a moment, she drew one last deep breath,
Then her finger moved in the moonlight--
Her musket shattered the moonlight--
Shattered her breast in the moonlight and warned him--with her death.

He turned, he spurred to the West; he did not know who stood
Bowed, with her head o'er the casement, drenched in her own red blood!
Not till the dawn did he hear it, and his face grew grey to hear
How Bess, the landlord's daughter,
The landlord's black-eyed daughter,
Had watched for her love in the moonlight, and died in the darkness there.

Back, he spurred like a madman, shrieking a curse to the sky,
With the white road smoking behind him and his rapier brandished high!
Blood-red were his spurs in the golden noon, wine-red was his velvet coat
When they shot him down in the highway,
Down like a dog in the highway,
And he lay in his blood in the highway, with the bunch of lace at his throat.

And still on a winter's night, they say, when the wind is in the trees,
When the moon is a ghostly galleon tossed upon cloudy seas,
When the road is a gypsy's ribbon looping the purple moor,
The highwayman comes riding--
Riding--riding--
The highwayman comes riding, up to the old inn-door.

Over the cobbles he clatters and clangs in the dark inn-yard,
He taps with his whip on the shutters, but all is locked and barred,
He whistles a tune to the window, and who should be waiting there
But the landlord's black-eyed daughter--
Bess, the landlord's daughter--
Plaiting a dark red love-knot into her long black hair.

because i love you)last night by E. E. Cummings

because i love you)last night




clothed in sealace

appeared to me

your mind drifting

with chuckling rubbish

of pearl weed coral and stones;



lifted,and(before my

eyes sinking)inward,fled;softly

your face smile breasts gargled

by death:drowned only



again carefully through deepness to rise

these your wrists

thighs feet hands



poising

to again utterly disappear;

rushing gently swiftly creeping

through my dreams last

night,all of your

body with its spirit floated

(clothed only in



the tide's acute weaving murmur

*I like this poem because of its sexy language, and Cummings' playfulness with the form and parenthesis.
Orry

The Daffodils; OR, I Wandered Lonely As A Cloud by William Wordsworth

I wandered lonely as a cloud     
     That floats on high o'er vales and hills,
When all at once I saw a crowd,
     A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.

Continuous as the stars that shine
     And twinkle on the milky way,
They stretched in never-ending line
     Along the margin of the bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.

The waves beside them danced; but they
     Out-did the sparkling waves in glee
A poet could not but be gay,
     In such a jocund company
I gazed -- and gazed -- but little thought
What wealth the show to me had brought:

For oft, when on my couch I lie
     In vacant or in pensive mood,
They flash upon that inward eye
     Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.

Harlem [Dream Deferred] by Langston Hughes

What happens to a dream deferred?

       Does it dry up

       Like a raisin in the sun?

       Or fester like a sore—

       And then run?

       Does it stink like rotten meat?

       Or crust and sugar over—

       like a syrupy sweet?

      
       Maybe it just sags

       like a heavy load.

       Or does it explode?

As kingfishers catch fire, dragonflies draw flame

As kingfishers catch fire, dragonflies draw flame;
As tumbled over rim and roundy wells
Stones ring; like each tucked string tells, each hung bell's
Bow swung finds tongue to fling out broad its name;
Each mortal thing does one thing and the same:
Deals out that being indoors each one dwells;
Selves- goes itself; myself it speaks and spells,
Crying What I do is me: for that I came.
I say more: the just man justices;
Keeps gráce: thát keeps all his goings graces;
Acts in God's eye what in God's eye he is--
Chríst. For Christ plays in ten thousand places,
Lovely in limbs, and lovely in eyes not his
To the Father through the features of men's faces.

The Love Song of J. Alfred Prufrock -- T. S. Eliot

S`io credesse che mia risposta fosse

A persona che mai tornasse al mondo,

Questa fiamma staria senza piu scosse.

Ma perciocche giammai di questo fondo

Non torno vivo alcun, s'i'odo il vero,

Senza tema d'infamia ti rispondo.

------

Let us go then, you and I,

When the evening is spread out against the sky

Like a patient etherized upon a table;

Let us go, through certain half-deserted streets,

The muttering retreats

Of restless nights in one-night cheap hotels

And sawdust restaurants with oyster-shells

Streets that follow like a tedious argument

Of insidious intent

To lead you to an overwhelming question...

Oh, do not ask, `` What is it? ''

Let us go and make our visit.

In the room the women come and go

Talking of Michelangelo.

The yellow fog that rubs its back upon the window-panes

The yellow smoke that rubs its muzzle on the window-panes

Licked its tongue into the corners of the evening.

Lingered upon the pools that stand in drains.

Let fall upon its back the soot that falls from chimneys.

Slipped by the terrace, made a sudden leap,

And seeing that it was a soft October night,

Curled once about the house, and fell asleep.

And indeed there will be time

For the yellow smoke that slides along the street,

Rubbing its back upon the window-panes;

There will be time, there will be time

To prepare a face to meet the faces that you meet;

There will be time to murder and create,

And time for all the works and days of hands

That lift and drop a question on your plate;

Time for you and time for me.

And time yet for a hundred indecisions,

And for a hundred visions and revisions,

Before the taking of a toast and tea.

In the room the women come and go

Talking of Michelangelo.

And indeed there will be time

To wonder, ``Do I dare?'' and, ``Do I dare?''

Time to turn back and descend the stair,

With a bald spot in the middle of my hair--

[They will say: ``How his hair is growing thin!'']

My morning coat, my collar mounting firmly to the chin,

My necktie rich and modest, but asserted by a simple pin--

[They will say: ``But how his arms and legs are thin!'']

Do I dare

Disturb the universe?

In a minute there is time

For decisions and revisions which a minute will reverse.

For I have known them all already, known them all:

Have known the evenings, mornings, afternoons,

I have measured out my life with coffee spoons;

I know the voices dying with a dying fall

Beneath the music from a farther room.

So how should I presume?

And I have known the eyes already, known them all--

The eyes that fix you in a formulated phrase,

And when I am formulated, sprawling on a pin,

When I am pinned and wriggling on the wall,

Then how should I begin

To spit out all the butt-ends of my days and ways?

And how should I presume?

And I have known the arms already, known them all--

Arms that are braceleted and white and bare

[But in the lamplight, downed with light brown hair!]

Is it perfume from a dress

That makes me so digress?

Arms that lie along a table, or wrap about a shawl.

And should I then presume?

And how should I begin?

. . . . .

Shall I say, I have gone at dusk through narrow streets

And watched the smoke that rises from the pipes

Of lonely men in shirt-sleeves, leaning out of windows? . . .

I should have been a pair of ragged claws

Scuttling across the floors of silent seas.

. . . . .

And the afternoon, the evening, sleeps so peacefully!

Smoothed by long fingers,

Asleep. . . tired . . . or it malingers,

Stretched on the floor, here beside you and me.

Should I, after tea and cakes and ices,

Have the strength to force the moment to its crisis?

But though I have wept and fasted, wept and prayed,

Though I have seen my head [grown slightly bald] brought in upon a platter,

I am no prophet--and here's no great matter;

I have seen the moment of my greatness flicker,

And I have seen the eternal Footman hold my coat, and snicker,

And in short, I was afraid.

And would it have been worth it, after all,

After the cups, the marmalade, the tea,

Among the porcelain, among some talk of you and me,

Would it have been worth while,

To have bitten off the matter with a smile,

To have squeezed the universe into a ball

To roll it toward some overwhelming question,

To say: `` I am Lazarus, come from the dead,

Come back to tell you all, I shall tell you all''--

If one, settling a pillow by her head,

Should say: ``That is not what I meant at all.

That is not it, at all.''

And would it have been worth it, after all,

Would it have been worth while,

After the sunsets and the dooryards and the sprinkled streets,

After the novels, after the teacups, after the skirts that trail along the floor--

And this, and so much more?--

It is impossible to say just what I mean!

But as if a magic lantern threw the nerves in patterns on a screen:

Would it have been worth while

If one, settling a pillow, or throwing off a shawl,

And turning toward the window, should say:

``That is not it at all,

That is not what I meant, at all.''

. . . . .

No! I am not Prince Hamlet, nor was meant to be;

Am an attendant lord, one that will do

To swell a progress, start a scene or two,

Advise the prince; no doubt, an easy tool,

Deferential, glad to be of use,

Politic, cautious, and meticulous;

Full of high sentence, but a bit obtuse;

At times, indeed, almost ridiculous--

Almost, at times, the Fool.

I grow old . . . I grow old . . .

I shall wear the bottoms of my trousers rolled.

Shall I part my hair behind? Do I dare to eat a peach?

I shall wear white flannel trousers, and walk upon the beach.

I have heard the mermaids singing, each to each.

I do not think that they will sing to me.

I have seen them riding seaward on the waves

Combing the white hair of the waves blown back

When the wind blows the water white and black.

We have lingered in the chambers of the sea

By sea-girls wreathed with seaweed red and brown

Till human voices wake us, and we drown.

-- Posted by Nick.

P.S. I'm sorry, but the formatting keeps messing up so some of my posts are double spaced and some are single spaced. I guess I'm still unable to overcome the limitations of ICT...

Metaphors

I'm a riddle in nine syllables,
An elephant, a ponderous house,
A melon strolling on two tendrils.
O red fruit, ivory, fine timbers!
This loaf's big with its yeasty rising.
Money's new-minted in this fat purse.
I'm a means, a stage, a cow in calf.
I've eaten a bag of green apples,
Boarded the train there's no getting off.

Sylvia Plath (1959)

- This poem was given to me in a very scary PC session one to one with my professor, where I frantically tried to decipher the metaphor. I did finally figure it out :( and I still do think its a nice one to try to take apart with your students and see if they can figure it out. Coupled with 'You're' also by Plath these poems are alot of fun!