Because I could not stop for Death,
He kindly stopped for me;
The carriage held but just ourselves
And Immortality.
We slowly drove, he knew no haste,
And I had put away
My labor, and my leisure too,
For his civility.
We passed the school where children played,
Their lessons scarcely done;
We passed the fields of gazing grain,
We passed the setting sun.
We paused before a house that seemed
A swelling of the ground;
The roof was scarcely visible.
The cornice but a mound.
Since then 'tis centuries but each
Feels shorter than the day
I first surmised the horses' heads
Were toward eternity.
Emily Dickinson
Showing posts with label American. Show all posts
Showing posts with label American. Show all posts
Monday, September 14, 2009
petals
Petals
Life is a stream
On which we strew
Petal by petal the flower of our heart;
The end lost in dream,
They float past our view,
We only watch their glad, early start.
Freighted with hope,
Crimsoned with joy,
We scatter the leaves of our opening rose;
Their widening scope,
Their distant employ,
We never shall know. And the stream as it flows
Sweeps them away,
Each one is gone
Ever beyond into infinite ways.
We alone stay
While years hurry on,
The flower fared forth, though its fragrance still stays.
Amy Lowell
Life is a stream
On which we strew
Petal by petal the flower of our heart;
The end lost in dream,
They float past our view,
We only watch their glad, early start.
Freighted with hope,
Crimsoned with joy,
We scatter the leaves of our opening rose;
Their widening scope,
Their distant employ,
We never shall know. And the stream as it flows
Sweeps them away,
Each one is gone
Ever beyond into infinite ways.
We alone stay
While years hurry on,
The flower fared forth, though its fragrance still stays.
Amy Lowell
Choice
Choice
I'd rather have the thought of you
To hold against my heart,
My spirit to be taught of you
With west winds blowing,
Than all the warm caresses
Of another love's bestowing,
Or all the glories of the world
In which you had no part.
I'd rather have the theme of you
To thread my nights and days,
I'd rather have the dream of you
With faint stars glowing,
I'd rather have the want of you,
The rich, elusive taunt of you
Forever and forever and forever unconfessed
Than claim the alien comfort
Of any other's breast.
O lover! O my lover,
That this should come to me!
I'd rather have the hope of you,
Ah, Love, I'd rather grope for you
Within the great abyss
Than claim another's kiss-
Alone I'd rather go my way
Throughout eternity.
Angela Morgan
I'd rather have the thought of you
To hold against my heart,
My spirit to be taught of you
With west winds blowing,
Than all the warm caresses
Of another love's bestowing,
Or all the glories of the world
In which you had no part.
I'd rather have the theme of you
To thread my nights and days,
I'd rather have the dream of you
With faint stars glowing,
I'd rather have the want of you,
The rich, elusive taunt of you
Forever and forever and forever unconfessed
Than claim the alien comfort
Of any other's breast.
O lover! O my lover,
That this should come to me!
I'd rather have the hope of you,
Ah, Love, I'd rather grope for you
Within the great abyss
Than claim another's kiss-
Alone I'd rather go my way
Throughout eternity.
Angela Morgan
Sara Teasdale's I shall not care
When I am dead and over me bright April
Shakes out her rain-drenched hair,
Though you shall lean above me broken-hearted,
I shall not care.
I shall have peace, as leafy trees are peaceful
When rain bends down the bough;
And I shall be more silent and cold-hearted
Than you are now.
Shakes out her rain-drenched hair,
Though you shall lean above me broken-hearted,
I shall not care.
I shall have peace, as leafy trees are peaceful
When rain bends down the bough;
And I shall be more silent and cold-hearted
Than you are now.
Labels:
All Levels,
American,
Death,
lyrical poet,
Sara Teasdale
The More Loving One (by W.H. Auden)
Looking up at the stars, I know quite well That, for all they care, I can go to hell, But on earth indifference is the least We have to dread from man or beast. How should we like it were stars to burn With a passion for us we could not return? If equal affection cannot be, Let the more loving one be me. Admirer as I think I am Of stars that do not give a damn, I cannot, now I see them, say I missed one terribly all day. Were all stars to disappear or die, I should learn to look at an empty sky And feel its total dark sublime, Though this might take me a little time.
Sunday, September 13, 2009
Boys and Girls Together by Neil Gaiman
Boys don't want to be princes.
Boys want to be shepherds who slay dragons,
maybe someone gives you half a kingdom and a princess,
but that's just what comes of being a shepherd boy
and slaying a dragon. Or a giant. And you don't really
even have to be a shepherd. Just not a prince.
In stories, even princes don't want to be princes,
disguising themselves as beggars or as shepherd boys,
leaving the kingdom for another kingdom,
princehood only of use once the ogre's dead, the tasks are done,
and the reluctant king, her father, needing to be convinced.
Boys do not dream of princesses who will come for them.
Boys would prefer not to be princes,
and many boys would happily kiss the village girls,
out on the sheep-moors, of an evening,
over the princess, if she didn't come with the territory.
Princesses sometimes disguise themselves as well,
to escape the kings' advances, make themselves ugly,
soot and cinders and donkey girls,
with only their dead mothers' ghosts to aid them,
a voice from a dried tree or from a pumpkin patch.
And then they undisguise, when their time is upon them,
gleam and shine in all their finery. Being princesses.
Girls are secretly princesses.
None of them know that one day, in their turn,
Boys and girls will find themselves become bad kings
or wicked stepmothers,
aged woodcutters, ancient shepherds, mad crones and wise-women,
to stand in shadows, see with cunning eyes:
The girl, still waiting calmly for her prince.
The boy, lost in the night, out on the moors.
Boys want to be shepherds who slay dragons,
maybe someone gives you half a kingdom and a princess,
but that's just what comes of being a shepherd boy
and slaying a dragon. Or a giant. And you don't really
even have to be a shepherd. Just not a prince.
In stories, even princes don't want to be princes,
disguising themselves as beggars or as shepherd boys,
leaving the kingdom for another kingdom,
princehood only of use once the ogre's dead, the tasks are done,
and the reluctant king, her father, needing to be convinced.
Boys do not dream of princesses who will come for them.
Boys would prefer not to be princes,
and many boys would happily kiss the village girls,
out on the sheep-moors, of an evening,
over the princess, if she didn't come with the territory.
Princesses sometimes disguise themselves as well,
to escape the kings' advances, make themselves ugly,
soot and cinders and donkey girls,
with only their dead mothers' ghosts to aid them,
a voice from a dried tree or from a pumpkin patch.
And then they undisguise, when their time is upon them,
gleam and shine in all their finery. Being princesses.
Girls are secretly princesses.
None of them know that one day, in their turn,
Boys and girls will find themselves become bad kings
or wicked stepmothers,
aged woodcutters, ancient shepherds, mad crones and wise-women,
to stand in shadows, see with cunning eyes:
The girl, still waiting calmly for her prince.
The boy, lost in the night, out on the moors.
Friday, September 11, 2009
'Because I could not stop for Death' - Emily Dickinson, 1924.
Because I could not stop for Death
He kindly stopped for me
The Carriage held but just Ourselves
And Immortality.
We slowly drove, he knew no haste
And I had put away
My labor and my leisure too,
For his civility.
We passed the School, where Children strove
At recess in the ring
We passed the fields of gazing grain
We passed the setting sun.
Or rather, he passed us
The dews drew quivering and chill
For only Gossamer, my gown
My tippet only tulle.
We paused before a house that seemed
A swelling of the GROUND
The roof was scarcely visible
The cornice in the ground.
Since then 'tis centuries and yet
Feels shorter than the DAY
I first surmised the horses' heads
Were toward eternity.
---
Best,
alb.
He kindly stopped for me
The Carriage held but just Ourselves
And Immortality.
We slowly drove, he knew no haste
And I had put away
My labor and my leisure too,
For his civility.
We passed the School, where Children strove
At recess in the ring
We passed the fields of gazing grain
We passed the setting sun.
Or rather, he passed us
The dews drew quivering and chill
For only Gossamer, my gown
My tippet only tulle.
We paused before a house that seemed
A swelling of the GROUND
The roof was scarcely visible
The cornice in the ground.
Since then 'tis centuries and yet
Feels shorter than the DAY
I first surmised the horses' heads
Were toward eternity.
---
Best,
alb.
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