Lilies tangle in her hair: green stems Like water-snakes.
 
 A disembodied hand Floats on the surface. So much has been lost
 Already: toes, the lobe of her left ear.
 But this remains, a damp, immaculate
 Sign, like a message saved from the dark current.
 
 She wandered through the courtyard in her tattered
 Dress distributing wild violets.
 She called us whores—your son ma'am, not your husband's
 I think—and knaves—the taxes sir, your cellar
 Is stocked with sweet Moselle. We called this madness.
 
 Indicia of her innocence: to be
 A maiden floating dead among the flowers.
 
 She will become an elegant and mute
 Image: the sodden velvet coat, the sinking
 Coronet of poppies, virgin's bower,
 And eglantine. The replicable girl.
 (A blob of Chinese white becomes a hand.
 The artist puts his brush in turpentine,
 The model pulls her stockings on.)
 
 And yet, Surround by the water-lily stems,
 Her face appears an enigmatic mask:
 A drowned Medusa in her snaking hair.
 The lilies gape around her like pink mouths,
 Telling us nothing we can understand.
 
 Her eyes stare upwards: dead and not quite dead.
Sunday, September 13, 2009
The Ophelia Cantos by Theodora Goss
Labels:
Art,
Denise,
Hamlet,
ophelia,
painting,
Shakespeare,
The Ophelia Cantos,
Theodora goss
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